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Book Review: Mansour Bushnaf's 'Chewing Gum'

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A few months ago I was contacted by Darf Publishers, a publishing company 'established in 1980 in London to focus on producing books on Libya, Middle East and the Arab World in English'. 

Recently they have began venturing on new projects:


'.... with the emergence of literature written by Middle Eastern and North African writers to translate and publish fiction and literary works from new talents and well established Arab writers, introducing them to a wider audience and discovering new works that wasn't given chance to see the light for many generations'.


I was sent a copy of both Ahmed Fagih's Maps of the Soul and Mansour Bushnaf's Chewing Gum. This post focuses on Chewing Gum.

Where to begin with Chewing Gum? I could begin with the cover, which says so simply but effectively that the book is about chewing gum in Libya. I could begin with chewing gum itself - a fad that swept Libya according to the author. Or I could begin with Mansour Bushnaf himself, a Libyan playwright who has just published his first novel in English. 

Chewing Gum is a small book (120 pages) but it really does say a lot and so beautifully. Chewing Gum explores a Libyan society and its people under a dictatorship. Through the act of chewing, which is the one thing that never changes and just keeps going on, we get a glimpse at how people and place can change over time for the worse. It is also about the different groups of people - historians, philosphers, theatre directors, politicians - trying to make sense of the country. 

It tells the story of two young lovers - our hero (Mukhtar) and our heroine (Fatma). Our hero 'was an abandoned lover, alone beside a tree in a neglected park, unable to see anything but his beloved as she walked away' (p.5) and our heroine who not long after she abandoned our hero 'succumbed to the euphoric gum-chewing fad' (p.6). While Mukhtar remains motionless beneath a tree in a park for a decade with the world around him changing, Fatma 'found herself in contact with people she would never otherwise have known ... all for the sae of gum' (p.7). 

Around both our lovers, life continues (or wastes away) and we see this through numerous interconnected symbols - a statue carved by an Italian prisoner which 'inficted destruction on whichever individual became conscious of its existence' (p.20). There's also the park Mukhtar is frozen in - one of two places where our two lovers 'would talk and discover their more mature selves' (p.25). The park too had a story to tell - a story of Tripoli's many historical eras.Then there's the gum itself, or the act of chewing gum - a subject of interest for the media, politicians and academics - and trend caught on by all - male, female, young, old - which became an obsession. Even the discarded wrappers of the chewing gum garnered attention as they were used as a dating technique to trace the consumerist trends in Libya. 

One of my favourite part of the novel is on page 81 (pretty close to the end of the novel) and the author writes a very brief paragraph explaining the story so far and ends it with 'This is the story, and all the rest is peripheral'. 

I fell in love with this novel and I am amazed by its complex simplicity. Its ability to weave a tale that is equal parts beautiful, humorous and sad and make it seem so effortless. I would highly recommend this book to any and everyone and thank Darf publishers, and specifically Fergus McKeown, for giving me the pleasure of reading this book.

Africa Writes Returns for a Third Year: Ama Ata Aidoo, Warsan Shire and a Tweetathon

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Africa Writes, The Royal African Society’s annual literature and book festival in association with The British Library, returns for a third year.

Taking place from Friday 11  to Sunday 13 July, Africa Writes 2014 will bring together over 50 authors, poets, publishers, critics and experts for an exciting programme, including book launches, readings, talks, panel discussions, performances, children and young people’s workshops, family activities, and an international book fair.


If you're in London (or the UK) please save the dates and book your tickets now for this year’s festival highlights:

Reclaiming the Feminine Voice
Friday 11 July, 18:30 – 20:00
BL Conference Centre, £8/ £6 / £5
BUY TICKETS

We bring together a powerful group of African women poets who are using their voices to claim their rightful place in literature. With Young Poet Laureate for London Warsan Shire, Belinda Zhawi, Ribka Sibhatu and Chinwe Azubuike. Moderated by Jessica Horn, feminist writer and activist. 




An Audience with Ama Ata Aidoo
Saturday 12 July, 18:30 – 20:00
BL Conference Centre, £8/ £6 / £5
BUY TICKETS

Join Ama Ata Aidoo, Ghana’s leading author, poet, playwright, academic and former Education Minister, for an in-depth conversation led by Wangui wa Goro, writer, critic and translator.



For the full schedule of events and the latest news and updates, visit Africa Writes websiteand follow them onTwitterandFacebook.

There's also #MyAfricaWrites Tweetathon

Follow @RoyAfrisoc and tweet about your experience of the festival and African books and literature with the hashtag #MyAfricaWrites for a chance to win some great prizes!  

Africa Writes 2014 has been made possible through the financial support and partnership of the following institutions and organisations: The British Library, Arts Council England, Scib Nigeria, The University of London's Centre of African Studies, The British Museum, The Caine Prize for African Writing, British Council, Commonwealth Writers, Africa39, African Reading Group, Afrikult., Black Reading Group, Black Book News, Bookshy Blogger, Cassava Republic, English PEN, Kwani Trust, Female All Rounder, SIDENSI, Spora Stories, Styled By Africa, TEDxEuston and Worldreader. Africa Writes takes this opportunity to thank the above and the many other individuals and organisations who have contributed to the festival.

50 Books By African Women That Everyone Should Read: Part 2

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Last week on the Gateway for Africa Blog, the first 25 on our list of '50 Books by African Women That Everyone Should Read' .... before they die was published. Today, ahead of Africa writes - the Royal African Society's annual literary festival taking place this weekend - I publish the final part of the list, which I compiled together with Dele Meiji Fatunla.

Lists are fun to make, but they are also sometimes quite hard to make, especially this one where we had to choose 50 books. In putting this list together, Dele and I found that we had some obvious choices and overlaps, but we also brought to the list our own perspectives. And that's what I loved about putting it together, as through this list of 50, it begins to show some of the diversity and wonders of African literature written by women. As mentioned in the first post, although this list is mainly filled with novels, there is also non-fiction and poetry. 


Part 2 of the list has works from Cameroon, Côte d'Ivoire, Egypt, Kenya, Mozambique, Nigeria, Senegal, South Africa, Zimbabwe and the diaspora. There are stories about email scams, sex workers and young love, but there is also a travel memoir and YA fiction in the form of fantasy. This is in no way an exhaustive list (and what's 'missing' could lead to some very interesting conversations). It is, however, a list of books which we both hope you will read, enjoy and share amongst your friends, family and loved ones. 
So join the conversation about the full list on the Africa Writes and Gateway for Africa facebook page, and mine as well. Happy reading!!!

26. Your Madness, Not Mine

About the Author: Juliana Makuchi: Juliana Makuchi Nfah-Abbenyi is Professor of English and Comparative Literature. She holds doctorates from the University of Yaounde, Cameroon, and from McGill University, Montreal, Canada. Her research is in Postcolonial and World Literatures, Literary Theory, Gender and Women’s Studies. She has lectured nationally and internationally in these fields. Her extensive publications include three books: Gender in African Women’s Writing: Identity, Sexuality, and Difference (Indiana University Press), Your Madness, Not Mine: Stories of Cameroon (Ohio University Press) and The Sacred Door and Other Stories: Cameroon Folktales of the Beba (Ohio University Press). She writes fiction under the pen name, Makuchi.

About the book: The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state. The stories in Your Madness, Not Mine are about postcolonial Cameroon - women, more often than not, are at the centre of these stories that probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians.

27. Neighbours: The Story of a Murder
About the Author: Lilia Momplé was born on the Island of Mozambique, into a family of mixed ethnic origins, including Makua, French, Indian, Chinese, and Mauritian. She attended the Instituto Superior de Serviço Social (Higher Institute of Social Service) in Lisbon and graduated with a degree in Social Services. In 1995, she became secretary general of the Association of Mozambican Authors, a position she held until 2001.

About the Book: Neighbours: The Story of A Murder focuses on the destabilisation of Mozambique through short narratives detailing the lives and motivations of seven central characters. Part of the Heinemann African Writers Series, and later the Penguin African Writers series, Neighbours tells the political story of a nation, which is often forgotten by the West, in a thoughtful and provocative manner. This is the story of how a South African conspiracy to infiltrate and destabilise Mozambique creates tragedy for ordinary people.

28. Ripples in the Pool
About the Author: Rebeka Njau was a Kenyan artist, playwright and novelist born in a village near the city of Nairobi in Kenya. She was educated at the Alliance Girls High School and MakerereUniversity in Kampala, Uganda and taught at Alliance Girls High School and Makerere College School before spending five years as the founding headmistress of Nairobi Girls School. It was during her career as a teacher that she started writing short stories and plays, most of which were published in Transitions, a literary journal in East Africa in the 1960s. From 1975-1990 she worked with the National Council of Churches of Kenya and was editor of its fortnightly newspaper, Target. When she was growing up, her mother, a Christian evangelist in the 1950s, and her maternal grandfather, a medicine man and a specialised blacksmith, became her greatest source of inspiration.

About the Book: In 1975, Njau published her first novel Ripples in the Pool, a work exploring the struggle between the politics of modernity and the claims of old systems of belief. It tells the story of Selina, an unconventional woman by her society's standards. who craves to have a man she can manipulate. 

29. Efuru
About the Author: Flora Nwapa was a Nigerian writer, teacher, and administrator, a forerunner of a whole generation of African women writers. Flora Nwapa is best-known for re-creating Igbo (Ibo) life and traditions from a woman's viewpoint. With Efuru(1966) Nwapa became black Africa's first internationally published female novelist in the English language. She has been called the mother of modern African literature

About the Book: The book is about Efuru, an Ibo woman who lives in a small village in colonial West Africa. Throughout the story, Efuru wishes to be a mother, though she is an independent-minded woman and respected for her trading ability.

30. I Do Not Come To You By Chance
About the Author: Adaobi Tricia Nwaubani is a Nigerian novelist and journalist. I Do Not Come to You by Chance, her debut novel set amidst the perilous world of Nigerian email scams was the winner of the 2010 Commonwealth Writers Prize for Best First Book (Africa). She lives in Lagos, and works with Nigeria's groundbreaking NEXT newspaper

About the Book: A deeply moving debut novel set amid the perilous world of Nigerian email scams, I Do Not Come to You by Chancetells the story of one young man and the family who loves him.

31. The Promised Land
About the Author: Grace Ogot is one of the few well-known woman writers in Kenya, Ogot was the first woman to have fiction published by the East African Publishing House. Her stories—which appeared in European and African journals such as Black Orpheus and Transition and in collections such as Land Without Thunder(1968), The Other Woman (1976), and The Island of Tears (1980)—give an inside view of traditional Luo life and society and the conflict of traditional with colonial and modern cultures. Her novel The Promised Land (1966) tells of Luo pioneers in Tanzania and western Kenya.

About the Book:A young farmer and his wife who have migrated to Tanzania from Kenya become embroiled in issues of personal jealousy and materialism, and a melodramatic tale of tribal hatreds ensues. The novel explores Ogot's concept of the ideal African wife: obedient and submissive to her husband; family and community orientated; and committed to non-materialist goals.

32. Bitter Leaf
About the Author: Chioma Okereke was born in Nigeria and came to England at the age of seven. She started her writing career as a poet before turning her hand to fiction. Her writing has been published in Bum Rush the Page and The Callaloo Literary Journal. Additionally, her work has been shortlisted in the Undiscovered Authors Competition 2006, run by Bookforce UK, and in the Daily Telegraph's, write a Novel in a Year Competition 2007.

About the Book:Bitter Leaf is a richly textured and intricate novel set in Mannobe, a world that is African in nature but never geographically placed. At the heart of the novel is the village itself and its colourful cast of inhabitants: Babylon, a gifted musician who falls under the spell of the beautiful Jericho who has recently returned from the city; Mabel and Melle Codon, twin sisters whose lives have taken very different paths, Magdalena, daughter of Mabel, who nurses an unrequited love for Babylon and Allegory, the wise old man who adheres to tradition. As lives and relationships change and Mannobe is challenged by encroaching development, the fragile web of dependency holding village life together is gradually revealed.

33. Zahrah the Windseeker
About the Author: Nnedi Okorafor, the American-born daughter of Igbo Nigerian parents, has regularly visited Nigeria since she was very young. Her novels and stories reflect both her West African heritage and her American life. Okorafor is a 2001 graduate of the Clarion Writers Workshop in Lansing, Michigan, and holds a Ph.D. in English from the University of Illinois, Chicago. She is a professor of creative writing at Chicago State University and lives with her family in Illinois.

About the Book:Zahrah the Windseeker is one of a very small handful of young adult fantasy novels that incorporate the myths and folklore and culture of West Africa. It is the winner of the 2008 Wole Soyinka Prize for Literature in Africa. Set in the northern Ooni Kingdom, fear of the unknown runs deep and children born dada are rumoured to have special powers. Thirteen-year-old Zahrah Tsami feels like a normal girl - she grows her own flora computer, has mirrors sewn onto her clothes and stays clear of the Forbidden Greeny Jungle. But unlike other children in the village of Kirki, Zahrah was born with the telling dadalocks. 

34. The Spider King’s Daughter
About the Author: Chibundu Onuzo was born in Nigeria in 1991 and is the youngest of four children. In 2010, Onuzo, then an undergraduate studying History at King's College London, made headlines after signing a two-novel deal with Faber & Faber, making her its youngest ever female author . When not writing, Chibundu can be found playing the piano or singing. 

About the book: Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister. When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie.

35. Dust
About the Author: Yvonne Adhiambor Owuor is a Kenyan writer, who was named "Woman of the Year" by Eve Magazine in Kenya in 2004 for her contribution to the country's literature and arts. She won the 2003 Caine Prize for African Writing for her story "Weight of Whispers", which considers an aristocratic Rwandan refugee in Kenya. The story was originally published in Kwani?, the Kenyan literary magazine set up by Binyavanga Wainaina after he won the Caine Prize the previous year.

About the Book:From a breath-taking new voice, a novel about a splintered family in Kenya—a story of power and deceit, unrequited love, survival and sacrifice.
Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His grief-stricken sister, Ajany, just returned from Brazil, and their father bring his body back to their crumbling home in the Kenyan dry lands, seeking some comfort and peace. But the murder has stirred memories long left untouched and unleashed a series of unexpected events: Odidi and Ajany’s mercurial mother flees in a fit of rage; a young Englishman arrives at the Ogandas’ house, seeking his missing father; a hardened policeman who has borne witness to unspeakable acts reopens a cold case; and an all-seeing Trader with a murky identity plots an overdue revenge. In scenes stretching from the violent upheaval of contemporary Kenya back through a shocking political assassination in 1969 and the Mau Mau uprisings against British colonial rule in the 1950s, we come to learn the secrets held by this parched landscape, buried deep within the shared past of the family and of a conflicted nation.
 

36. The Secret Lives of Baba Segi’s Wives
About the Author: Lola Shoneyin is a Nigerian poet and author who published her debut novel, The Secret Lives of Baba Segi's Wives, in the UK in May 2009. Shoneyin has already forged a reputation as an adventurous, humorous and outspoken poet (often classed in the feminist mould), having published three volumes of poetry. In April 2014 she was named on the Hay Festival's Africa39 list of 39 Sub-Saharan African writers aged under 40 with potential and talent to define trends in African literature. She lives in Abuja, Nigeria.

About the Book: To the dismay of her ambitious mother, Bolanle marries into a polygamous family, where she is the fourth wife of a rich, rotund patriarch, Baba Segi. She is a graduate and therefore a great prize, but even graduates must produce children and her husband's persistent bellyache is a sign that things are not as they should be. Bolanle is too educated for the 'white garment conmen' Baba Segi would usually go to for fertility advice, so he takes her to hospital to discover the cause of her barrenness. Weaving the voices of Baba Segi and his four competing wives into a portrait of a clamorous household of twelve, Lola Shoneyin evokes an extraordinary Nigerian family in splashes of vibrant colour.

37. The Map of Love
About the Author: Ahdaf Soueif was born in Cairo and educated in Egypt and England, where she studied for a Ph.D. at the University of Lancaster. Ahdaf Soueif lives in London and Cairo. She writes regularly for The Guardian and is a key political commentator on Egypt and Palestine. She is the founder of the Palestine Festival of Literature, Pal Fest.

About the Book: In 1900 Lady Anna Winterbourne travels to Egypt where she falls in love with Sharif, and Egyptian Nationalist utterly committed to his country's cause. A hundred years later, Isabel Parkman, an American divorcee and a descendant of Anna and Sharif, goes to Egypt, taking with her an old family trunk, inside which are found notebooks and journals which reveal Anna and Sharif's secret.

38. This September Sun
About the Author: Bryony Rheam was born in Kadoma, Zimbabwe, in 1974 and grew up in small mining towns until her family finally moved to Bulawayo. She left Zimbabwe at the age of eighteen and went to the UK, where she worked and studied for seven years. After completing her MA at the University of Kent at Canterbury, she taught in Singapore for a year and then decided to return to Zimbabwe in 2001. She currently lives in Ndola, Zambia, where she is a part-time English teacher. She is currently working on her second novel.

About the Book: Winner of Best First Book Award at Zimbabwe International Book Fair 2010. Ellie is a shy girl growing up in post-Independence Zimbabwe, longing for escape from the confines of small-town life. When she eventually moves to Britain, her wish seems to have come true. But life there is not all she imagined. And when her grandmother Evelyn is brutally murdered, a set of diaries are uncovered spilling out family secrets and recounting a young Evelyn's passionate and dangerous affair with a powerful married man. In the light of new discoveries, Ellie begins to re-evaluate her relationship with her grandmother, and must face up to some truths about herself in the process. Set against the backdrop of a country in change, Ellie burdened by the memories and the misunderstandings of the past must also find a way to move forward in her own romantic endeavours.

39. Distant View of a Minaret and Other Stories
About the Author: Alifa Rifaat was an Egyptian author whose controversial short stories are renowned for their depictions of the dynamics of female sexuality, relationships, and loss in rural Egyptian culture. While taking on such controversial subjects Fatimah Rifaat’s protagonists remained religiously faithful and passive feelings towards their fate. Fatimah Rifaat used the pseudonym Alifa to prevent embarrassment on the part of her family due to the themes of her stories and her writing career.

About the Book: More convincingly than any other woman writing in Arabic today, Alifa Rifaat, an Egyptian, lifts the veil on what it means to be a woman living within a traditional Muslim society. Her writing articulates a subtle revolt against, and a sympathetic insight into, the place of women in the essentially male-dominated Islamic environment. Change, development, and understanding are called for but the invocation is couched in specifically Arab terms; her inspiration lies not in the Women's Movement of the West but remains within a strictly religious, even Orthodox Qur'anic framework.

40. As the Crow Flies 

About the Author: Véronique  Tadjo is a writer, poet, novelist, and artist from Côte d'Ivoire. Having lived and worked in many countries within the African continent and diaspora, she feels herself to be pan-African, in a way that is reflected in the subject matter, imagery and allusions of her work.

About the Book: This ground-breaking novel represents a set of universal experiences which can be read as a mosaic of life in the 20th century. As The Crow Flies describes the way in which the text is written; Tadjo flies over different lives and experiences - as a crow does - occasionally swooping down on one small detail or character, moving between relationships in search of truth

41. The Blind Kingdom (also by Véronique Tadjo)
About the Book:This multi-layered narrative comprises a series of interwoven short stories and poetic texts which can be read within continental Africa, the African Diaspora and beyond. Véronique Tadjo imagines an African society on the brink of total collapse, yet there is no doubt that the story resonates in unsettling ways with recent political and social unrest in Côte d´Ivoire. This is a lyrical and yet haunting story, a book of love with fresh insights into the unfinished and complex struggles for African independence.



42. On Black Sisters Street
About the Author: Chike Unigwe is a Nigerian-born author of fiction, poetry and articles based in Belgium who writes in both English and Dutch. In April 2014 she was selected for the Hay Festival's Africa39 list of 39 Sub-Saharan African writers aged under 40 with potential and talent to define future trends in African literature.

About the Book: Four very different women have made their way from Africa to Brussels. They have come to claim for themselves the riches they believe Europe promises but when Sisi, the most enigmatic of the women, is murdered, their already fragile world is shattered. Drawn together by tragedy, the remaining three women - Joyce, a great beauty whose life has been destroyed by war; Ama, whose dark moods manifest a past injustice; Efe, whose efforts to earn her keep are motivated by a particular zeal - slowly begin to share their stories.

43. Looking for Transwonderland: Travels in Nigeria
About the Author: Noo Saro-Wiwa was born in Nigeria in 1976 and raised in England. She attended King's College London and Columbia University in New York and has written travel guides for Rough Guide and Lonely Planet. She currently lives in London. Her first book Looking for Transwonderland: Travels in Nigeria was published by Granta in January 2012 to brilliant reviews and was chosen by the Financial Times Life & Arts as one of the best books of the year, and by The Sunday Times as Travel Book of the Year 2012.

About the Book: Noo Saro-Wiwa was brought up in England, but every summer she was dragged back to Nigeria - a country she viewed as an annoying parallel universe where she had to relinquish all her creature comforts. Then her father, activist Ken Saro-Wiwa, was murdered there, and she didn't return for 10 years. Recently, she decided to come to terms with the country her father loved. She travelled from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the empty Transwonderland Amusement Park. Looking for Transwonderland is an engaging portrait of a country whose beauty and variety few of us will experience, depicted with wit and insight by a refreshing new voice in contemporary travel writing.

44. Butterfly Burning

About the Author: Yvonne Vera was an award-winning author from Zimbabwe. Her novels are known for their poetic prose, difficult subject-matter, and their strong women characters, and are firmly rooted in Zimbabwe's difficult past. For these reasons, she has been widely studied and appreciated by those studying postcolonial African literature.

About the Book: Set in Makokoba, a black township, in the late l940s, Butterfly Burning is an intensely bittersweet love story. When Fumbatha, a construction worker, meets the much younger Phephelaphi, he “wants her like the land beneath his feet from which birth had severed him." He in turn fills her "with hope larger than memory." But Phephelaphi is not satisfied with their "one-room" love alone. The qualities that drew Fumbatha to her, her sense of independence and freedom, end up separating them. And the closely woven fabric of township life, where everyone knows everyone else, has a mesh too tight and too intricate to allow her to escape her circumstances on her own. Vera exploits language to peel away the skin of public and private lives. In Butterfly Burning she captures the ebullience and the bitterness of township life, as well as the strength and courage of her unforgettable heroine.

45. Nehanda (also by Yvonne Vera)
About the Book: Set in Yvonne Vera's home country of Zimbabwe, Nehanda tells the story of a late nineteenth century village where a young woman has been given a divine calling: the gift to inspire a war. Told in beautifully lucid and evocative prose, this is the portrait of resistance and struggle, a tale of a people's first meeting with colonialism. 





46. Teaching my Mother How to Give Birth 
About the AuthorWarsan Shire was born in 1988 in Kenya to Somali parents. She later emigrated to London. Shire thereafter began writing poetry as a way to connect with her Somali heritage and her roots in Somalia. Her verse first gained notice after her poem "For Women Who Are Difficult to Love" went viral. In 2011, she also released Teaching My Mother How To Give Birth, a poetry pamphlet published by flipped eye.In April 2013, Shire was presented with Brunel University's inaugural African Poetry Prize, an award earmarked for poets who have yet to publish a full-length poetry collection. She was chosen from a shortlist of six candidates out of a total 655 entries. In October 2013, Shire was also selected from a shortlist of six young bards as the first Young Poet Laureate for London. The honour is part of the London Legacy Development Corporation's Spoke programme, which focuses on promoting arts and culture in Queen Elizabeth Olympic Park and the surrounding area.

About the Book:What elevates teaching my mother how to give birth, what gives the poems their disturbing brilliance, is Warsan Shire's ability to give simple, beautiful eloquence to the veiled world where sensuality lives in the dominant narrative of Islam; reclaiming the more nuanced truths of earlier times - as in Tayeb Salih's work - and translating to the realm of lyric the work of the likes of Nawal El Saadawi. As Rumi said, "Love will find its way through all languages on its own"; in 'teaching my mother how to give birth', Warsan's début pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

47. The Ghost (Le Revenant in French)
About the Author: Aminata Sow Fall was born in Saint-Louis, Senegal. After spending several years at the Faidherbe grammar school, she finished her secondary schooling at the Van Vo grammar school in Dakar. She then went to France where she completed a licence in Modern Languages. She married in 1963 and returned to Senegal where she became a teacher before working for the National Reform Commission for the Teaching of French. Subsequently, she was appointed Director of la Propriété littéraire [The Literary Property] in Dakar (1979-1988). Sow's best known novel (and the only one in English translation) is The Beggar's Strike (1979). She is currently the Director of both the Centre Africain d'Animation et d'Echanges Culturels and Khoudia publishing house in Fann, Dakar. Aminata Sow Fall was also at the head of the Centre International d'Etudes, de Recherches et de Réactivation sur la Littérature, les Arts et la Culture that organized regular national and international Conferences in Saint-Louis. In 1997, Aminata Sow Fall was awarded an Honorary Degree at Mount Holyoke College, South Hadley, Massachusetts.

About the Book: When an honest post office worker, Bakar, realises that he is in debt because he has been financing the extravagant needs of his circle of family and friends, he steals money from his employer and ends up in prison for misappropriation of funds. He is then abandoned by all those who had profited from his extravagance and so Bakar decides to get his revenge.

48. David’s Story  
About the Author: Zoe Wicomb gained attention in South Africa and internationally with her first work, a collection of short stories, You Can't Get Lost in Cape Town (1987), which takes place during the apartheid era. Her second novel, David's Story (2000), takes place in 1991 toward the close of the apartheid era and explores racial identity. Playing in the Light, her third novel, released in 2006, covers similar terrain conceptually. It is set in mid-1990s Cape Town and centers around the theme of racial passing. Her second collection of short stories, The One That Got Away, is set mainly in Cape Town and Glasgow and explores a range of human relationships: marriage, friendships, family ties and relations with servants.

About the Book: Unfolding in South Africa, at the moment of Nelson Mandela's release from prison in 1991, this novel explores the life and vision of a male activist through the pen of a female narrator. David Dirkse is part of the underground world of activists, spies and saboteurs in the liberation movement -- a world seldom revealed to outsiders. With 'time to think' after the unbanning of the movement, David is researching his roots in history of the mixed-race 'Coloured' people of South Africa and of their antecedents among the indigenous people and early colonial settlers. This story provides compelling history that is vividly personal, through the powerful filter of storytelling. Through voices that weave together -- responding to, illuminating, and sometimes contradicting one another -- Wicomb depicts a world where 'truth upon conflicting truth wriggles into shape'. The dramatic and violent turns at the close of the novel further testify to the complexity of truth -- and of telling.

49. Men of the South

About the Author: Zukiswa Wanner is a South African journalist and novelist. Here debut novel, The Madams, was shortlisted for the K. Sello Duiker Award in 2007 and in April 2014 Wanner was named on the Hay Festival's Africa39 list of 39 sub-Saharan African writers under the age of 40 with potential to define trends in African literature. 

About the Book: Shortlisted for the Commonwealth Writers' Prize 2011: Africa Region, Men of the South is a fascinating novel about three men out from three worlds. Mfundo the musician and dad, Mzi - gay, but married, and Tinaye - a displaced Zimbabwean in South Africa.


50. Come find this book at Africa Writes 2014. 



Find the first 25 titles on theGateway for Africa Blog.

List compiled by: Dele Meiji Fatunla & Zahrah Nesbitt-Ahmed
Research: Chinemelu Okafor

Africa Writes - The Royal African Society's literature festival runs from 11th July - 13th July at the British Library and headlined by novelist, Ama Ata Aidoo. 

Another New Release for 2014: Lauren Beukes''Broken Monsters'

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Excitement galore!!!! Lauren Beukes is back with a new novel Broken Monsters. Here's the synopsis courtesy of Harper Collins:


EVEN KILLERS HAVE DREAMS

A terrifying new thriller from Lauren Beukes, award-winning author of
The Shining Girls.
Detective Gabi Versado has hunted down many monsters during her eight years in Homicide. She’s seen stupidity, corruption and just plain badness. But she’s never seen anything like this.

Clayton Broom is a failed artist, and a broken man. Life destroyed his plans, so he’s found new dreams – of flesh and bone made disturbingly, beautifully real.

Detroit is the decaying corpse of the American Dream. Motor-city. Murder-city. And home to a killer opening doors into the dark heart of humanity.

A killer who wants to make you whole again…

Broken Monsters is out now in South Africa and will be out 31st July in the UK and 16th September in the USA. And here are the SA and USA covers. Love them, but the SA one might be my fave.


Ama Ata Aidoo: An African, a woman and a writer

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I am going to get a bit reflective on this post, but honestly I am pretty excited that Ama Ata Aidoo is headlining this year's Africa Writes festival. 

My first introduction to Ghanaian author, Ama Ata Aidoowas in 2012 when I read the 2006 anthology African Love Stories. This is a collection of twenty-one short stories edited by Ama Ata Aidoo and written by some of Africa’s best female authors – Abouela, Adichie, Oyeyemi and Tadjo to name a few. 

I remember reading the first page of the anthology and Ama Ata Aidoo being described as a ‘distinguished writer, consultant and scholar on gender and development’. By this time I was half way through the third year of my PhD and saw myself as a gender and development 'scholar-in-training' and  felt compelled to read the Introduction - I am notorious for not reading Introductions to novels as I always imagine them coming with a warning label ‘Spoiler Alert!’.
Yet, as I read, line after line I was drawn into the anthology through Ama Ata Aidoo’s words and at Aidoo’s ability to put together a collection of twenty-one tales of ‘some of the most complex love stories any reader may have come across in a long time’ (p.xi) by women authors from Ghana, Kenya, Nigeria, Sudan, Zimbabwe and more. So, even before I began reading the anthology I wanted to know more about this author who put together this collection of love stories written by African women. And I did just that.
I went on to read Changes: A Love Story (1991), which won the 1993 Commonwealth Writers Prize, Africa Division and then Our Sister Killjoy (1977). Yes, I was trying (and still am) to make up for lost time.



Aidoo’s works may capture the tension between Western and African worldviews, but in reading these stories what stood out for me, and what I particularly loved the most, was how Aidoo’s female characters challenged the stereotypical image of the passive African women and instead portrayed their complex lives and them defying traditional gender roles. In these books,I found female characters who spoke about issues, such as forced marriage, polygamy and divorce, as well as more ‘taboo’ subjects like desire, pleasure and sexuality. Honestly, Ama Ata Aidoo’s characters and her work spoke to me not only on an intellectual level as a 'scholar-in-training', but also on a more personal level - as an African and as a woman. 

I cannot express how excited I am that this year’s Africa Writes will be hosting an audience with Ama Ata Aidoo. Well, it's tonight (Saturday 12, July from 18:30-20:00). Also, here are ten reasons to come see her. I already have my books in tow, but I also know me - I am going to be too shy to ask for an autograph or two or three. So instead I will watch, listen and absorb from the crowd and be greatly honoured that I have the opportunity to see Ama Ata Aidoo.

New and Future Releases from Pede Hollist, Obinna Udenwe and Nnedi Okorafor

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Even more new and future releases to look forward to. The first two come from Jacaranda Books Art Music Ltd, which describes itself as 'a fresh and exciting new independent publishing house based in London'. They publish adult fiction and non-fiction, including illustrated books and have a particular interest in 'works related to Africa, the Caribbean, and the experiences of those peoples in the Diaspora'. I love that their mission is ' to create the space for those voices [unheard, under-represented] to be seen and heard by new readers'. 



Finaba Marah yearns to fit in with the other girls of her age, and nothing will allow her to do that more than the initiation ceremony that her grandmother Baramusu has told her so much about. Finaba’s parents’ fiercely object to the ceremony, which they believe claimed the life of her elder sister, so one night Finaba is secretly whisked away by her grandmother, but before her initiation is complete, Finaba’s father storms in and brings the circumcision ceremony to a halt. The family is advised to leave their home, and the events that follow set Finaba’s life on an unexpected path.
So the Path Does Not Die is a touching coming of age story that follows Finaba through her childhood and adolescence into adulthood, from her native Sierra Leone to the new and exciting land of opportunity, the USA. This modern story addresses issues of ethnicity, sexuality, gender and Female Genital Mutilation told through the life of this feisty, intelligent and determined young African woman as she makes her way through the world while balancing the weights of tradition and modernity. But most of all, it is a story of survival.
So the Path Does Not Die, at times funny, at times sad, is a modern, must-read debut novel from the exceptionally talented, Caine Prize shortlisted writer Pede Hollist.
Set against the backdrop of Nigeria’s ongoing terrorism tensions, Satans and Shaitans tells the story of two powerful men, Chief Donald Amechi and world acclaimed televangelist, Chris Chuba, both members of the internationally renowned Sacred Order of the Universal Forces. Members of the Order from Southern Nigeria, desperate to gain control of their country, deceive an Islamic terrorist organization into carrying out attacks in order to undermine and overrule the Nigerian President, a northerner, by convincing them that their plans would help to bring about Islamic rule, all the while setting them up for failure.
Amidst this turmoil, Evangelist Chuba’s daughter, Adeline, falls deeply in love with young naïve artist Donaldo Amechi, the only son of the Chief. The two try to keep their love hidden from their controlling parents, but when the Chief secretly finds out about the relationship, the Sacred Order demands that the Evangelist sacrifice his daughter. Adeline goes missing and is eventually found murdered, however it is soon revealed that the men sent to carry out the sacrifice were killed in a car accident before they could reach her, leaving the Chief and the Evangelist with the terrifying mystery of what really happened to the young girl.
The death of Adeline and the search for her murderer takes the story into the very hearts of corruption in the Nigerian security forces and the government. The story takes the reader into the state of Islam and Christianity in Nigeria, suicide bombings, family secrets, betrayals, political assassinations, and treachery. It is a novel of morality, choices and consequences, political and religious powers, terrorism and jihad.
Finally, here's a future release to look forward to from Nnedi Okorafor. 


The Book of the Phoenix is the long-awaited sequel to Who Fears Death and will be published February 5th 2015. Here's a brief synopsis via Hodder & Stoughton:

The Book of Phoenix  is an extraordinary science fiction novel set in a distant - but not so very different - future.


There is no book about me. Well, not yet. No matter. I shall create it myself; it's better that way. My beginnings were in the dark. We all dwelled in the darkness, mad scientist and specimen alike. This was when the goddess Ani's still slept, when her back was still turned. Before she grew angry at what she saw and pulled in the blazing sun. My story is called The Book of Phoenix.


I will update with book cover image and more information on the book as I find out more. 

New Release from Tendai Huchu: 'The Maestro, The Magistrate, & The Mathematician'

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Source: http://www.freightbooks.co.uk/
Another new release for 2014 and this time from Tendai Huchu, author of The Hairdresser of Harare and one of this year's Caine Prize shortlisted writers. Out later this year (will update with exact release date when I know), The Maestro, The Magistrate and The Mathematician is published by amaBooks - and here's a little something about the book courtesy of amaBooks:


These three characters from Zimbabwe, each with their own unique story, struggle with loss, identity, and sanity as they try to make new lives in Britain, having left the chaos of their own country behind. The Magistrate tries to create new memories and roots, fusing a wandering exploration of Edinburgh with music. The Maestro, a depressed, quixotic character, sinks out of the real world, preferring novels and fantasy. The Mathematician, full of youth, follows a carefree, hedonistic lifestyle, until the universes of the three main characters collide. Three distinct and distinctive characters grappling with notions of home, identity and destiny.

From The New York Times to CNN: African Literature in the News

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Source: http://bplolinenews.blogspot.co.uk/
Maybe it's because I am completely engrossed in it, but I can't help but notice how much more I'm reading about African literature in mainstream media sources. 

Back in June, for instance,  The New York Times published an article, 'New Wave of African Writers With an Internationalist Bent'. The article explains how:
'Black literary writers with African roots (though some grew up elsewhere), mostly young cosmopolitans who write in English, are making a splash in the book world, especially in the United States. They are on best-seller lists, garner high profile reviews and win major awards, in America and in Britain. Ms. Adichie, 36, the author of "Americanah," which won the National Book Critics Circle Award for fiction this year, is a prominent member of an expanding group that includes Dinaw Mengestu, Helen Oyeyemi, NoViolet Bulawayo, Teju Cole, Yvonne Adhiambo Owuor and Taiye Selasi, among others.' 
Other African authors mentioned in the article include Ishmael Beah, Aminatta Forna and Okey Ndibe, with the reasons behind this 'critical mass' being that:
'After years of political and social turmoil, positive changes in several African nations are helping to greatly expand the number of writers and readers. Newer awards like the Caine Prize for African Writing have helped, too, as have social media, the Internet and top M.F.A programs.'

What is unique about these 'new African writers' though - according to Manthia Diawara, a professor of comparative literature and film at NYU, 'It is a literature more about being a citizen of the world - going to Europe, going back to Lagos'. He goes on to explain that 'Now we are talking about how the West relates to Africa and it frees writers to create their own worlds. They have several identities and they speak several languages.'

The article did, however, get some flak, as highlighted in an article on BooksLive, 'Should Science Fiction and Fantasy be Included in the "New Wave of African Writers"?', as Sci-Fi and Fantasy authors, such as Nnedi Okorafor, were kept off the list. While I do agree that the list should have acknowledged the other voices and genres in African literature, it does not change the fact that it is a great time for African literature. 



Take Flavorwire, last month they also put together their own list of '8 More African-Born Writers You Should be Reading'. They acknowledge the 'abundance of fantastic literature coming out of Africa right now' and see it as 'something to celebrate'. Their list of 'African-born writers include A. Igoni Barrett, Chigozie Obioma, Tsitsi Dangarembga, Ivan Vladislavic, Binyavanga Wainaina, Zoe Wicomb, Camara Laye and Adaobi Tricia Nwaubani. I love Flavorwire's list for its mix of new and old and it contains some authors whose works I absolutely love. 



And then this month, actually just a few days ago, CNNs African Voices released its own list of 'African writers you should be reading now'. The rise of the new African writer was also a theme in this article: 
' ... Iately new names from across the continent are becoming part of popular literary consciousness. "Purple Hibiscus,""Half of a Yellow Sun" and more recently "Americanah" have brought international acclaim for Nigerian author du jour, Chimamanda Ngozi Adichie.
She joins a growing list of popular African authors -- including NoViolet Bulawayo, Binyavanga Wainaina, Taiye Selasi, Lauren Beukes, Alain Mabanckou -- who have been steadily picking up steam --and fans -- across the globe over the last several years.'
This article, in a way, goes one step further from The New York Times article as it mentions 'indigenous content producers and independent publishers' across the content, such as  Chimurenga and Kwani?, as well as writers' collectives like Jalada. And while it does recognise translated Francophone literature with Alain Mabanckou and makes mention of Sci-fi and fantasy (it also mentions erotica) and lists Lauren Beukes among its must-read writers, it would be awesome to also include authors like Nnedi Okorafor and Sarah Lotz who are also getting some amazing recognition internationally, as well as Ivor Hartmann and his work with AfroSF. 

Moving away from NYT and CNN African Voices, just yesterday, Zimbabwean author, Tendai Huchu, wrote an article for Vitabu books, 'A Few Thoughts on the Literature Which May/May Not Be Called African Literature'. In it he writes that 'We live in interesting times for lovers of African literature' and I can't help but agree. I love that in this article Tendai Huchi draws attention to 'Some of the more interesting developments [that] are happening outside the stables of large international publishers and don't get as much notice/airplay/recognition'. By this he is referring to:
'The indie authors in romance like Myne Whitman (A Heart to Mend), Nkem Ivara (Closer than a Brother), Rudo Muchoko (When Love Strikes) and Kiru Taye (author of the highly popular Men of Valour series, which has done extremely well on Amazon), who are pushing the boundaries and mining spaces traditional publishers have neglected. 
In speculative fiction you have self-pubbed authors like Masimba Musodza who publishes in both Shona and English, and whose novel, Hebert Wants to Come Home, was first serialised on JukePop Serials. Running parallel to the work of indie authors, it is also interesting to see new developments by Ivor Hartmann, publisher of AfroSF, and Marius du Plessis of Fox and Raven Publishing who are creating alternative platforms for writers working in Genre Fiction.
It will also be interesting to see whether authors like Mukoma Wa Ngugi and Deon Meyer exert a large enough gravitational pull for new writers to enter the crime genre. Already in Nigeria there is a new start-up, Cordite Books, headed by Helon Habila which hopefully will ignite a spark in crime fiction written on the continent.'

As a book lover, I can't help but be happy to see that African literature, on and off the continent, is on the rise - although for many it's always been there. So maybe it's less about African literature being on the rise and more about it being noticed and appreciated by a lot more people. And as a book blogger it's also kinda nice to know that bloggers are being recognised in this landscape. As raised in the CNN article by Ms. Afropolitan:
"And when something is good, it obviously catches people's attention. Before it would not have reached any mainstream; now it is, thanks to bloggers and local content production."
And also by Tendai Huchu in his article:
'Another interesting/new factor to add to the literary scene has been the emergence of online bloggers and critics. Publishers have often complained that newspapers on the continent have little real interest in literature, which is why bloggers like Zahrah Nesbitt (Bookshy), Sarah Norman (White Whale), James Murua (James Murua’s Literature Blog), Ainehi Edoro (Brittle Paper), Nana-Ama Kyerematen (Afri*Diaspora), Vitabu and many others now occupy a crucial space in terms of reviewing and publicising books from around Africa to their potential readership across the world. This can only be enriching because book blogs (even for large western publishers) have become the essential, go-to place for readers today and can create a buzz for works that might otherwise be ignored in mainstream media.'
There really is a lot going on in the world of African literature. We have some awesome literary magazines like Bakwa (Cameroon) and Saraba (Nigeria) and innovative ideas like  Okadabooks in Nigeria using mobile devices to bring books to people. We also have literary festivals - Ake Arts and Book Festival (Nigeria), Open Book Festival (South Africa), Storymoja Hay Festival (Kenya), Writivism Festival (Uganda) as well as Africa Writes (UK)

And if I may, I would like to add to these already wonderful lists by mentioning a few more names - travel writer, Noo Saro-Wiwa; Angolan authors, Ondjaki and José Eduardo Agualusa; Ghanaian author, Nii Ayikwei Parkes; Nigerian author, Obinna Udenwe;  South African authors, Zukiswa Wanner and Niq Mhlongo; and Zimbabwean, Nouvoyo Rosa Tshuma. 




As for blogs, if you are interested in finding out more, James Murua has a list of 10 African literature rich blogs, which includes blogs such as Kinna Reads and BooksLive. 


otWo

Books, Books, Books

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hoshithepinkneko.wordpress.com
For over a year now I haven't been able to read as much as I would have liked to, which has made me pretty sad. Thankfully over the last few months, my reading has picked up a bit more  (as I now have slightly more time to read). 

Since June, I've read Chewing Gum, Where to Now, We Need New Names, the Aya SeriesAmericanah and London Cape Town Joburg. I've also been doing some reading in the non-African lit world - Gone Girl, The Twelve Tribes of Hattie Smith, Seraphina, Volume 1 of the Saga Series and Catching Fire (and started reading Mocking Jay). I've also started reading The Three (so far, so awesome).

Read and currently reading

Although I've been doing a lot more reading, I've also noticed I've been doing a lot less reviewing - which I am really trying to rectify.

There have also been quite a few additions to my library mainly due to my inability to leave bookstores empty handed, but also from some publishers, as well as a special person who knows me too well - thank you for the ARC of Broken Monsters I did so many jigs when I got it :) 

I found Jose Eduardo Agualusa's My Father's Wives and Rainy Season at the Southbank Book Market. The day I got it I didn't have enough cash on me and the lady selling the books was kind enough to put them in a safe place for me for a few hours. I headed back there on my way home and it was still there. Kerry Young's Pao and Leila Abouela's Lyrics Alley I got from Church Street Bookshop in Stoke Newington. I ended up getting Nnedi Okorafor's Who Fears Death and Akata Witch via Amazon as I can't seem to find her earlier novels here in the UK (or maybe I'm not looking hard enough). They are both second hand and in excellent condition. Amos Tutuola's novels I got courtesy of Faber & Faber, while So the Path Does Not Die by Pede Hollist I got unexpectedly yesterday from Jacaranda who were at the African Fashion Week London. The Three is my most recent purchase - I got that last week at the airport during the longest layover ever. I tried to continue reading it as I sat on the plane waiting to take off until I decided that reading it on a plane probably wasn't the best idea. 

New additions to my library
Finally, I've started getting more and more interested in Caribbean literature and want to start to read more of it. My mum's got a ton of Caryl Phillips (I think she might have everything he has ever written) and I recently got Kerry Young's Pao. But I need your help - if there are any readers and lovers of Caribbean lit out there, I would really really really love if you could recommend me a few books to read. Classic ones. More newer ones. The must-reads. I know very little about it, so your recommendations are much appreciated. Thank you!!!

The Solitude Issue: Saraba Magazine

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I first found out about Saraba Magazine a couple years ago (and even then, I was pretty latein learning about the awesomeness that is Saraba). Saraba is a Nigerian literary magazine whose first issue was published in February 2009. Their goal is to 'create unending voices by publishing the finest emerging writers, with a bias for Nigeria, and Africa'. Since then, they have published issues with themes on History, Art, Sex, Music and more (past issues can be found here). 

Their 16th issue, Solitude, has just been published and here's some info on it:



Saraba Magazine is excited to share the newest issue of the magazine published with the theme of “Solitude.” This forty-page issue includes poems by Saddiq Dzukogi, Olajide Salawu, Rasaq Gbolahan, Ajoke, Paul Njoroge, Kechi Nomu, Sihle Ntuli, Ekweremadu Uchenna, Yusuff Omoloja, Mathias Orhero and Freeman David. There are short story contributions by Efe Paul, Iquo Eke, Adebola Rayo, and Dare Falowo, as well as a nonfiction piece by Arthur Anyaduba.

From the Publishers’ Note:
“How do we contemplate solitude?

“With silence, hands cradling chin, eyes staring into space in an empty room without articles of interest, an atmosphere of quotidian existence of devotion to matters of the heart?

Find here a cache of short poems and short stories by promising writers from Africa, writing in Africa. Follow them as they grapple with different phases of solitude: from avulsion of romantic partners to a search for solitude that leads to a brief stint in a mental institution. And in your solitary experience, while you grasp at the realities of others, ask yourself what it means to be alone.”

Saraba Magazine is one of the leading literary journals in Nigeria, publishing the work of emerging writers within the country and across the African continent. Our focus is on quality writing that shows immense promise and we often publish writers in the earliest stages of their career. As increased attention is drawn towards contemporary African writing, Saraba offers its readers a unique perspective by promoting the work of writers who have been published little or not at all. The website contains a growing repository of fiction, poetry, essays and interviews by writers based in and outside Nigeria.

Founded in 2009, Saraba has published sixteen magazine issues and six poetry chapbooks. All of this can be downloaded for free on the website as PDFs.

To read the stories, poems, and essay related to the theme, please visit http://www.sarabamag.com/the-solitude-issue/ to download a copy of the issue.

For enquiries, please write Adaudo, Saraba’s Managing Editor at editor@sarabamag.com.

The 'I've Got Two Copies' Book Giveaway

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So, I've got two copies of the same book. As a result, the 'I've Got Two Copies' book giveaway is back. Will be posting details soon. And I promise it's a good one.

Designed by the amazing Damola Rufai/atelier_RONIN (who also did my logo).*
*Original image has been modified. 

Another New Release: Irene Sabatini's 'Peace and Conflict'

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Ooooh! Yet another new release for 2014. This time from Irene Sabatini, author of The Boy Next Door (which won the Orange Prize for New Writers in 2010). Peace and Conflict, her second novel, is published by Constable & Robinson and will be out on the 6th of November. Here's a synopsis via Constable & Robinson

This is the story of a young boy's adventures as he takes it upon himself to solve the mystery of an 'evil' old neighbour in Geneva, and a missing auntie in Zimbabwe. Charming, funny and resonant, this is a novel about how one boy comes to understand what conflict can do to a person, a family, a whole country - and what it means to fight for peace.

This is the story of a hero.

Ten-year-old Robert knows many things. He knows all about his hometown, Geneva, with its statues and cannons and underground tunnels and the Longest Bench in the World. He knows about the Red Cross and all the places his dad has been on his missions. He knows that his mum is writing a book about vampires and how long his older brother spends practicing his 'swag' poses in front of the mirror. He knows all about animals, too, because his Auntie Delphia is a vet in Zimbabwe.

But still he has questions. Is his neighbour, Monsieur Renoir, really evil? Why did he leave a Victoria Cross medal on Robert's doorstep? And why has Auntie Delphia disappeared? In the 'Peace and Conflict' unit in school, Robert learned all about wars and heroes. But as the lives of his friends, foes and family unfold, he discovers what it really means to be a hero . . .

African Book Cover Designers: Victor Ehikhamenor

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aninebing.tumblr.com

 
By now it should be no secret that I love book covers. I've always been interested in the design of book covers, and over the past few years I've become more and more fascinated by those behind designing the book covers. Honestly, if I could go back in time I would probably do my PhD on the art of African book covers. Alas, I did not. 

I do believe a book cover is important - obviously it won't change the content of a book. A well designed book cover will not make a bad book great. The same way a boring book cover does not necessarily mean the book itself will be terrible. 

Still I believe that book cover design is an art, a beautiful art and it takes such an amazing (and enviable) skill to be able to convey the sense of the story.



 
There are so many beautiful African book covers out there, and the book covers in this post come from Victor Ehikhamenor, a Nigerian visual artist, photographer and writer.

Victor Ehikhamenor and Chimamnda Ngozi Adichie via BellaNaija

His art - in which 'many aspects of Nigeria's complex folklore, mythology and religious iconography ... together with the country's political narratives past and present' can be found - has been used for books covers of authors like Chimamanda Ngozi Adichie, Helon Habila, Tony Kan, Lola Shoneyin, Chika Unigwe and many more. According to Ehikhamenor, he has 'designed more than 25 book covers or supplied art for covers for both local and international publishers'. 



On how he goes about designing covers

"It is a collaboration between the writer, the publisher and the cover designer. It is not autocratic, it is democratic to a large extent ... The concept can come from the writer or the publisher, then I visualise and actualise. Other times, it is just me and my team. But first, I read the book. I have to know what the book is saying ... Some covers you can design and say let me do it for beauty sake but sometimes you have to battle with publishers because they might have a different agenda".


Looking through his paintings on his website, I can see clearly some of his artwork in many of these book covers. 

A look at some of Ehikanemor's paintings via his website

Ehikhanemor once said his 'works are a menagerie of different things, a representative of magical realism'. Of his paintings he said they 'are a story - folktales, myths, mystery, history and many more'. Reading that and seeing his artwork, it is clear why he has designed so many African book covers because in his own words he 'paint[s] with so much zeal, like a frenzied storyteller'.

The 'I've Got Two Copies' Book Giveaway

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I did promise it was a good one. So I've got two copies of Lauren Beukes' latest novel Broken Monsters and wanted to share the love by doing a book giveaway. This is my little way of saying thank you for supporting this blog.


Designed by Damola Rufai/atelier_RONIN 
I'll be giving one of my copies away to one lucky winner. I haven't had a chance to read it yet, but the synopsis can be found here. The rules are simple:

This giveaway is open only to those who like bookshy's Facebook page or currently follow this blog. So if you already do and would like a chance to win a copy of this new release, all you need to do is either like the post on the Facebook page associated with the giveaway OR leave a comment below (sorry, but anonymous comments will not be considered). There isn't really a country or continent restriction, but the only requirement is that there is a postal address or PO Box in which the book can be posted to - as I will be using good ol'Royal Mail to deliver the book to the winner. The giveaway is open until Sunday August 31st. The winner will be announced on Monday September 1st via the Facebook page.

PS. I am old school and yes, I know that there are random generator apps out there that would make my life so much easier, but I am going to put names, or numbers associated with names (not quite sure yet what strategy I will use yet), in a hat and get someone (other than myself) to pick a winner. 

The Thesis is In!!!!!

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Around this time 5 years ago, I made the decision to apply for a PhD in Human Geography (if I am being specific - Gender and Urban Studies). Little did I know what I was getting myself into. My proposal was accepted. Yay!!! I thought - and I began my PhD October 2009. I will be very honest, it has been the toughest 4 and a half years of my life. I have had more downs than ups. I have cried, I have doubted myself, I have cried some more, had my self confidence shattered, cried again, doubted myself some more and throughout the whole period constantly questioned my decision to even embark on this journey. 

Minus the coffee - this is pretty much true.

I wanted to quit so many times - after the end of my first year, at the beginning of my second year, the middle of my second year,  during my fieldwork, when I came back from my fieldwork. Each time I was talked out of it. And then there was working through it all. Advice for anyone embarking on a PhD - fully funded or don't bother. The PhD is already stressful enough as it is without having to apply for part-funding here and there and also working part-time (and in the case of the last 3 months, full-time). Let's just say it hasn't been easy. And I would not have been able to make it through without my family and friends who kept me sane the entire time.


I am happy to say though, that through it all I was able to survive. The best part, I got my thesis in last Monday. How did I feel? Light. I've watched TV - guilt free. Read - guilt free. I even watched a play - guilt free. Hung out with friends - guilt free. Slept in - guiltfree. Watched movies - guiltfree. Even went to the cinema - guiltfree. Enjoyed the rare sunshine - guilt free. 

It's still not over. The thesis is now with the examiners and I still need to have my viva (oral defense), but this last week has been the most relaxed I've felt in years. And I'm really loving it. Also treated myself to a series I've been wanting to read forever - Aya - and also got a review copy of  Boy, Snow, Bird courtesy of Picador.  




Guess the next question is: 



Well, now the thesis is in, I can go back to reading and blogging some more - which is one of the things I was really sad to have to cut back on. More than that I don't know. For now, it just feels really good to have the thesis in. 

And the Winner is ....

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As promised, today I announce the winner of the'I've Got Two Copies' Book Giveaway. Thank you for entering either via facebook or the blog. I always get super nervous when I do book giveaways that no one will enter so I'm happy I had some entries for this book. 

I am also happy to announce that after cutting, writing, crumbling, tossing in a hat, shaking it up and getting someone other than myself - my mother lovingly helped to pull the name out of the hat (thank you :)), that the winner of the 'I've Got Two Copies' Book Giveaway is Nard who enterred via the blog. 

Congratulations!!!! Please send an email to bookshy@gmail.com with a delivery address and Broken Monsters will be on its way to its new home. I hope you enjoy it!!!!


For the Love of Totes

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This HuffPost article said it best when they said:
' ... there is one corner of the fashion world that we've [book nerds] staked out and made our own: the canvas tote bag'. 
How I love a good canvas tote - it really is all I carry my books (and laptop) in and it's much lighter to carry these around the long distances I travel daily. For the last few months I've been stalking the net for totes and there are tons out there.



Well, this love for totes has led to a recent collaboration with a really awesome freelance graphic artist and designer based in Lagos - atelier_RONIN. We had a conversation a couple months back about me wanting book related accessories, especially totes, and I really, really love his designs - which tries to find a balance between Nigeria and the West. The works have things in common with pattern making on African fabrics and psychedelic art in the West. Let's call it abstract modern art with a hint of psychedelia. 

This conversation about design and books and totes and more led to dizzzy designs - a creative collective combining our love for pop culture, film, music, design and the arts. Here are a few of the designs, which I absolutely love, on totes:

Totes amazing (pun seriously intended)
The designs can also be printed on canvas, or as a metal poster or on tees and hoodies and more. Find out more and check out the rest of the stuff here: Society6, Nuvango and Displate. 

From Book to Real Life: The Small Redemptions of Lagos

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A couple months ago (after it sitting on my shelf for over a year), I finally read Americanah and oh how I loved it. I loved that while it was about many different things - race, hair, illegal immigration - it was also a modern-day love story. Even more there were many aspects of the story I could relate to. 

I do, however, have a confession, as much as I loved it, my least favourite part of the book was Ifemelu's blog (I know! I know - quite ironic from a blogger). I'm not sure why, but after a while I became less and less interested in Ifemelu and her opinions on race, hair, the 'returnees' in Lagos and more. It could also have been because I didn't really like Ifemelu as a character - I found her extremely judgemental and a bit selfish. Obinze on the other hand  I really liked and wanted more of him. 

This isn't a review of Americanah - I didn't really want to write one as many have reviewed the book and I really feel like I am not going to add anything to the already existing reviews. It's more about an announcement via Chimamanda Ngozi Adichie's facebook page about Ifemelu's blog, which has now come to life. No, not "Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black". What a mouthful of a title!!! It's her other blog - the one she started when she moved back to Lagos - 'The Small Redemptions of Lagos'


Image via americanahblog.com

The blog may have been my least favourite part of the book (another confession - I may have skipped through some parts of Ifemelu's blog), but while reading it I did think that it might have worked better if we had bits of it in the novel, but if it was taken out and released separately - as a supplement to the story. Well, they have done just that. 

The Small Redemptions of Lagos is a mix of fiction and fact. Ifemelu and Obinze are still together and they are now dividing their time between Lagos and Enugu. Obinze is also trying to maintain a relationship with his daughter - although his wife isn't really making that easy for him. In between that, there are glimpses into daily going-ons in Nigeria - like Ebola in Nigeria and leaking roofs at Murtala Muhammed International Airport, Lagos

I can't help but wonder if this blog is linked in any way to the movie adaptation, which Oscar-winning actress, Lupita Nyong'o, will produce and star in. And regardless of my feelings on the blog in the book, I think this is a great way to continue the story without having to publish a sequel - especially the way in which the novel ended. 

Review of 'We Need New Names' in Selamta (Ethiopian Airlines Magazine)

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The latest issue (September/October) of Selamta - Ethiopian Airlines inflight magazine - is out. And I am super excited to say that my review of NoViolet Bulawayo's award winning debut novel, We Need New Names, is in the Style + Culture Section. 

We Need New Names is a coming-of-age story, told from the point of view of a young narrator, Darling, and her journey from Zimbabwe to America. The review can be found here. There is also a piece by Chika Unigwe who writes about falling in love with Brussels, despite being a small-town girl. 

This is my third time contributing to Selamta - my other two pieces were on The Caine Prize and AfroSF - but there is something about seeing my name in print or online that will never, ever get old. Also, how cool is it that my review is in the same issue with a piece written by one of my favourite authors. 



Off to Brighton (Hove, actually)

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So, I moved. After 14 months of commuting for 2 hours (on a good day) each way from Surrey to Sussex for work, I finally made the move down to Brighton (well Hove, actually). It was a really tough decision - and if I'm honest I'm still not sure if I've made the right choice. It has been a little over a week and I've been asked the question - how I feel about the move - a few times and I think it's too soon to tell. Plus, I've already signed the contract for my flat so I figure I should at least give it a try.

What I do know is that it takes me 30-40 minutes to get to work (door to door) which is awesome, the weather these past couple of weeks has been absolutely gorgeous for September (and the UK), I love the neighbourhood I am in and I am literally a few minutes away from the beach. All bonuses in my books.

No sand here - Brighton and Hove's pebble/stone beach

Also, with a new city comes new discoveries and as nervous as I am to be in a new place and attempt to make new roots, I am also looking forward to seeing what this move will bring. I am particularly interested in what Brighton and Hove have to offer for this African book lover. I know I did a feature on Brighton bookshops around this time last year when I came down for a weekend. Well I 'm curious to know what else is in store. There is a bookshop super close to where I live - although I haven't been in it yet (I know, I know) and I have already found some cute coffee shops around my place - we don't get internet in the flat for another couple of weeks so I've been coffee shop hopping for free wi-fi. 

Anyways, wish me luck and let's see how it goesI'll try and share my experiences over the next few months as I settle down here.
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